Flemish 1415-1473 Petrus Christus Locations South Netherlandish painter. His known artistic career began in Bruges on 6 July 1444 when, as the Poorterboek (citizens register) for that day reveals, he purchased his citizenship ... in order to be a painter. Town records show that he and his wife became members of the Confraternity of the Dry Tree c. 1462; that in 1463 he and another painter, Pieter Nachtegale, were paid for the construction of a Tree of Jesse (destr.) and for the cost of assistants employed on the day of the religious procession in which it was used; and that on 19 March 1472 he served as a representative of the painters guild in a dispute with another painter, Jehan de Hervy the elder ( fl 1472-1507). These and a few other scattered references comprise the existing documentation for Christusa life and work.  Related Paintings of Petrus Christus :. | Portrait of a Young Woman | The Lamentation | Portrait of a Lady (mk08) | Madonna and Child | Portrait of a Young Girl |
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Nils Kreuger
Swedish, 1858-1930,Swedish painter, draughtsman and illustrator. From 1874 he studied at the Konstakademi in Stockholm, where he soon became a friend of Richard Bergh and Karl Nordstrem, both of whom were later prominent exponents of the more advanced Swedish painting of the 1880s and 1890s. After being forced to interrupt his studies because of illness, Kreuger trained from 1878 at the art school of Edvard Perseus (1841-90) in Stockholm before he travelled to Paris, where he stayed for the most part until 1887. He made his d?but at the Paris Salon in 1882, and he also resided in the artists' colony in Grez-sur-Loing. During this period he painted such works as Old Country House (1887; Stockholm, Nmus.) with a free brushwork and sense of light that owed much to Jules Bastien-Lepage. In 1885 Kreuger was active in organizing the Opponenterna, a protest movement led by Ernst Josephson against the conservative establishment of the Konstakademi in Stockholm, and the following year he helped to found the Konstn?rsf?rbund (Artists' Union). Like the majority of the Konstnersferbund's members, Kreuger abandoned the French-inspired plein-air realism of the 1880s for symbolically coloured National Romanticism in the 1890s. For Kreuger this change took place between 1893 and 1896 in Varberg on the west coast of Sweden, where, together with Bergh and Nordstrem, he founded the Varberg Group. Drawing on Paul Gauguin's Synthetism, the group contributed to the formation of the National Romantic style of the 1890s in Sweden. Kreuger's encounter with van Gogh's drawings at an exhibition in Copenhagen in 1893 also played a decisive role in his development. He devised an intensely personal style in which the landscape was composed in large blocks that were then covered by a pattern of directional lines and dots in India ink (somewhat in the manner of van Gogh's late landscape drawings) to bring out the painting's colour values and create an effect of decoratively stylized forms: for example Spring in Halland (1894; Stockholm, Nmus.). Kreuger was also a prolific draughtsman and illustrator.
Alfred Stevens
1823-1906 Alfred Stevens Galleries Flemish Alfred Emile Stevens (May 11, 1823 - August 29, 1906) , Belgian painter, was born in Brussels. El??gants sur les BoulevardsHis father, an old officer in the service of William I of the Netherlands, was passionately fond of pictures, and readily allowed his son to draw in the studio of François Navez, director of the Brussels Academy. In 1844 Stevens went to Paris and worked under the instructing of Camille Roqueplan, a friend of his father's; he also attended the classes at the Ecole des Beaux-Arts, where Ingres was then professor. In 1849 he painted at Brussels his first picture, A Soldier in Trouble, and in the same year went back to Paris, where he definitely settled, and exhibited in the Salons. He then painted Ash-Wednesday Morning, Burghers and Country People finding at Daybreak the Body of a Murdered Gentleman, An Artist in Despair, and The Love of Gold. Allegory of the Night MSK, Oostende, BelgiumIn 1855 he exhibited at the Antwerp Salon a little picture called At Home, which showed the painter's bent towards depicting ladies of fashion. At the Great Exhibition in Paris, 1855, his contributions were remarkable, but in 1857 he returned to graceful female subjects, and his path thenceforth was clear before him. At the Great Exhibition of 1867 he was seen in a brilliant variety of works in the manner he had made his own, sending eighteen exquisite paintings; among them were the Lady in Pink (in the Brussels Gallery), Consolation, Every Good Fortune, Miss Fauvette, Ophelia, and India in Paris. At the Paris International Exhibitions of 1878 and 1889, and at the Historical Exhibition of Belgian Art, Brussels, 1880, he exhibited The Four Seasons (in the Palace at Brussels), The Parisian Sphinx, The Japanese Mask, The Japanese Robe, and The Lady-bird (Brussels Gallery). "Alfred Stevens is one of the race of great painters," wrote Camille Lemonnier, "and like them he takes immense pains with the execution of his work." The example of his finished technique was salutary, not merely to his brethren in Belgium, but to many foreign painters who received encouragement from the study of his method. The brother of Alfred Stevens, Joseph Stevens, was a great painter of dogs and dog life. See J. du Jardin, L'Art flamand; Camille Lemonnier, Histoire des beaux arts en Belgique.
Louis Krevel
Germany (1801 -1876 ) - Painter